What is the Best Way to Find Your Ideal Roommate?

So you’ve found a great apartment, but need a roommate to afford the rent? Choosing the right roommate can be a challenge. After all, you don’t’ know a person until you’ve lived with them. Even so, there are a few ways you can improve your chances of finding a good roommate.

The best way to choose a roommate is to ask someone you already know and like. This increases the odds of getting along. If that’s not possible, then ask other friends for recommendations and possible names. At least this way, you know the person gets along with other people you like.

If neither of these options is practical, then you may need to advertise here: www.roomzoom.com. If you are in college, the school probably has an online board or forum where you can advertise for a roommate. If you are new to an area, check online for websites that bring together possible companions. You can also turn to Craigslist, although you should be very careful when advertising for a roommate on Craigslist since this site is not regulated for security.

No matter where you get names, meet the person away from the apartment the first time. This provides you an opportunity to get to know the person before they know where you live. During the meeting, ask questions to determine if this potential roommate’s style and yours can mesh.

If you are a neat freak who does the dishes every day and cleans the bathrooms once a week, you won’t’ want a roommate who allows their dirty clothes to pile up.

Ask them about their social habits. Are they a night owl or do they tend to get up early and exercise?

Finding a good roommate can be a challenge. Asking the right questions before signing a lease is the best way to ensure compatibility between you and your roommate.

The Historical Context Of Impressionism

the-balconyIf you walk into a gallery today and you appreciate artwork from the great impressionists, it’s easy to forget how difficult these artists had it. They literally had to fight the traditional perspective in order to gain just a little bit of respect, much less make money from their work.

So, the historical context of impressionism was breaking away from tradition and rules. A small group of French painters, ultimately led by Manet, came together in the 1860’s to form a new style of expression, namely impressionism.

It’s interesting to note that the word “impressionist” wasn’t used as a compliment back in the day. For art scholars it was a negative association with everyone who used this particular style and dared to call it art. Naturally these painters didn’t call themselves impressionists, but as the movement gained more attention and success, the term quickly turned into something people could respect.

According to traditionalists, paintings were meant to be meticulous not quick like Speedy Bail Bonds NJ. The short strokes, the vague figures and the use of light by the impressionists simply didn’t qualify for their exhibitions. But for the painters who wanted to capture their first impression of a scene, it was a completely different perspective.

The shunned painters decided to start their own exhibition out of a photography studio, which didn’t see much success in the beginning. The media tried to ignore it as best they could, while visitors mainly wanted to get a laugh. Nevertheless, their first showing did create a lot of discussions regarding the style.

Impressionism might enjoy a distinct place in the art world, but it went through a lot of scrutiny. And the painters who dared to follow this style were automatically subject to strong critique. But this is also what makes it such an important part of modern world.

A Brief Explanation of The Historical Context of Cubism

juan-gris-1399589_640In the twentieth century a visual arts style which was highly influential is cubism, between 1907 and 1914 and it was principally created by the painter Georges Braque and Pablo Picasso.The flat, two-dimensional surface of the plane of a picture is what the Cubist style emphasized. It rejected the more traditional techniques of perspective, modeling, foreshortening as well as chiaroscuro and honored theories of art that refuted time wherein art merely imitated nature.

Copying form, colour, texture and space were not concepts by which Cubist painters were bound to, instead what they presented was a new reality through paintings, one which depicted objects which were radically fragmented, their sides were simultaneously seen. Cubist paintings will typically display musical instruments, letters, pitchers, bottles, newspapers, glasses, the human face and figure and of course, still lifes.

Remarks which were uttered by the critic Louis Vauxcelles and painter Henri Matisse who derisively were describing 1908 work by Braque “Houses at L’Estaque´as being made up of cubes is where the name Cubism is derived from. In Braque’s work the cylindrical forms of the trees, the volumes of the houses and the tan and green color scheme that were used are reminiscent of landscapes by Paul Cézanne, during their early stages of development, until 1909, these deeply inspired Cubists.

A work which was painted by Picasso in 1907 titled “Les Demoiselles d´Avignon” brought about a new style, the figures of five females who were nude became angular and fractured shapes. As it was with Cézanne´s art, perspective was displayed with the use of colour, the reddish browns that provided warmth advanced and the cooler blues receded. The Cubist techniques emphasize the various differences in textures and pose the question of what is reality and what is a mere illusion when it comes to paintings.